![]() ![]() She cannot fade, though thou hast not thy bliss,įor ever wilt thou love, and she be fair!Īh, happy, happy boughs! that cannot shed Though winning near the goal yet, do not grieve Thy song, nor ever can those trees be bare īold Lover, never, never canst thou kiss, Not to the sensual ear, but, more endear’d,įair youth, beneath the trees, thou canst not leave Heard melodies are sweet, but those unheardĪre sweeter therefore, ye soft pipes, play on What pipes and timbrels? What wild ecstasy? What mad pursuit? What struggle to escape? What men or gods are these? What maidens loth? A notable example is “Ode on a Grecian Urn,” in which the poet John Keats speculates on the identity of the lovers who appear to dance and play music, simultaneously frozen in time and in perpetual motion: Through the imaginative act of narrating and reflecting on the “action” of a painting or sculpture, the poet may amplify and expand its meaning. ![]() An ekphrastic poem is a vivid description of a scene or, more commonly, a work of art. Trees tremble, the old vats are in bobbles, bobbles which shade and shove and render clean, render clean must.ĭrink pups drink pups lease a sash hold, see it shine and a bobolink has pins. A pot is a beginning of a rare bit of trees. These are the wets these say the sets to leave a crown to Incy.Ī pot. This is a please this is a please there are the saids to jelly. Gertrude Stein’s “Susie Asado” does not lack a musical quality, but its rapid repetition of sounds and varied sentence lengths create dissonance through tension and instability: Hand rather, my heart lo! lapped strength, stole joy, would laugh, cheer. Nay in all that toil, that coil, since (seems) I kissed the rod, Why? That my chaff might fly my grain lie, sheer and clear. Gerard Manley Hopkins’s use of fixed stresses and variable unstressed syllables, combined with frequent assonance, consonance, and monosyllabic words, has a dissonant effect. Like cacophony, it refers to a harsh collection of sounds dissonance is usually intentional, however, and depends more on the organization of sound for a jarring effect, rather than on the unpleasantness of individual words. ![]() A disruption of harmonic sounds or rhythms. ![]()
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